"...At long last, THANATOMASS' first official full-length arise with 'Hades'. Here, immediately, past and present are consumed by unquenchable fire, an absolute bloodlust that cannot be sated - a near-overwhelming display of ultraviolent physicality that takes on a supernatural aspect, so impossibly askew is their attack. With but a minute-long intro to set the stage and prepare the unsuspecting for the cosmic onslaught ahead, 'Hades' kicks into contorting/spiraling form with the 10-minute epic "Templvm Carnalis / Vomit Ceremony," which mainlines the OTT diabolism of Sarcofago's INRI into the vortextural slipstream of classic Katharsis. But as the album plays on - and as the listener's will is reflexively, irrevocably broken down, submission turning to hypnotism and eventually immolation - those sonic signposts are successively uprooted, and it's brazenly displayed that THANATOMASS are operating with a decidedly unique approach to songwriting. Still ultraviolent, sure, and arguably one of the most dangerous displays of such within nowadays' underground, 'Hades' presents clear & caustic ideas hammered to their logical conclusion only to birth yet more vulgar shapes that then contort and distort themselves into continually frightening contours...all with nary a pause for breath. But lest one think that THANATOMASS are "chaotic" or "dissonant" or other such loaded descriptors, it must be stressed that their chops and execution are superlative: natural and "live," as it should be, with no fake punch-ins and the like, honoring the ancient ways of heavy metal fire. And, just like their prior recordings but especially more so here, THANATOMASS are undeniably a black METAL band, flying the flag of the first wave but prepared to burn any banners or standards as needed.
At seven songs across 44 minutes, with two songs topping eight minutes each and another two topping ten, 'Hades' is a tower of ceremonial debauchery writ in shattered-glass sonics. That David Glomba provides stunning cover and interior artwork further underlines the magnitude of THANATOMASS' debut album, and altogether stands as the momentous event it was destined to be. Submit to everlasting fire!"
Nathan T. Birk
credits
released May 12, 2023
Engineered by S. Lazar
Cover artwork & illustrations by D. Glomba / Teitan Arts
Tout est une question de perspective.
En regardant la pochette d'Algleymi, on se dira : "c'est un constat d'échec de l'humanité face aux puissances cosmiques". Mais le gigantisme de cette silhouette est un signe que Misþyrming veut plutôt s'emparer de cette puissance et le black metal le confirmera très vite. Il est plus maîtrisé, massif et épique. Si le chant est déjà impressionnant, dégageant plus de haine, les guitares sont de leur côté absolument monumentales. Un chef-d'œuvre du genre ! Jordan Vauvert
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass).
Tl;dr It's safe but high quality BM. Recommended. Rabbit
Please, if you love this, go listen to the 2002 December Wolves album "Blasterpiece Theater" - this is less crazy than that, but a spiritual (no pun intended) successor!!! BookendS